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Showing posts with label Daughter of the Goddess. Show all posts
Showing posts with label Daughter of the Goddess. Show all posts

Lucky 7 Game

The Rules:
  1. Go to page 77 of your current MS.
  2. Go to line 7.
  3. Copy down the next 7 lines/sentences, and post them as they’re written. No cheating.
  4. Tag 7 other victims …er, authors.
(Shamelessy borrowed from Victoria Scott's blog...)


From Daughter of the Goddess, a novella that is only 54 pages long. Sooooooo, I'm going to page 7 rather than 77. Just to set the scene, the priestesses pushed this girl Peaches into a bathing pool filled with oil, and she is now drowning:


She no longer wants to breathe, and the water is dark as she slips into the recesses of the pool. A light in the distance and she lifts her hand toward it, a farewell gesture.

I would have been useful. I would have tried.

The light creeps closer. A woman, smiling in the midst of the light, long hair floating in the water around her, reaches out a hand. Peaches lunges toward her, desperate to touch her.



As for my pick of victims:

  1. Wendy Swore
  2. Renee Miller
  3. S.M. Carrera
  4. Heather McCubbin
  5. Lani Woodland
  6. Melanie Marks
  7. Evan Joseph


Short Story: Daughter of the Goddess, Part IV - Psyche, Soul

This short story is part 4 of the Daughter of the Goddess series. You can read part 1 here.

The wind whispers in her ear, calling her to play. "Not today," Peaches says. She smiles, leaning out the window to catch the wind in her face. It blows her wispy blond hair. That one strand of hair that often annoys her brushes across her face and tickles her nose. She pushes it back behind her hair. "Today is my name day. I had my first blood moon, you know."

"I'm thirteen now." Which makes her all grown up. So she shouldn't play with the wind anymore when it comes to call. "Don't worry," she whispers. "Tomorrow, I will be a kid again. Tomorrow, I will play."

"Peaches!" someone calls. "Are you dressed yet?"

Peaches looks down at her cotton underdress. Oh no, she has forgotten. How has the time slipped by? Brushing her hair, she'd been thinking about the dance. And then she just had to dance about the room. To practice. This would be her first year to dance with the older girls. She didn't want to stumble in front of everybody and ruin the dance.

"Dance with me?" A prince had stepped from the corner. His eyes were dark and stormy and so intense that she couldn't take her eyes from his. He swept her onto a cloud, and the two flew through the sky as the wind whistled—

"Peaches? Did you hear me?"

"Almost ready!" she calls as she pulls the dress over her head and runs out the door with the material still covering her face. She knocks into something and thumps back onto the floor. Pulling the dress down, she peaks out. The Mother is standing over her, her hands on her hips.

"Peaches, what have I told you—"

"I'm ready. Honest."

"You are putting your dress on backwards."

Her cheeks burn as she tries to move the dress around. Instead, she just gets all tangled up. "Let me help you, little girl," the Mother says gently, a bit of amusement in her voice. The Mother adjusts the dress, and Peaches pulls her arms into the sleeves.

"See? I'm ready." She twirls about. "Do you like the way I look? Do you think someone dashing—"

Pulling Peaches' hair out of her dress and straightening her collar, the Mother purses her lips. "As beautiful as a treasure. And someday, you will find someone dashing. But not today. Now you remember what I told you?"

Peaches nods. Today, she will be presented to Elias, god of the heavens, as a priestess of Araphia. There she will receive her new name. She's a woman now, the Mother told her. So now she must have a woman's name.

"I don't know if I want to be a woman. I don't want a new name." Peaches looks up at the Mother, searching her eyes, hoping that she will change her mind. "I like myself just the way I am."

"Not everything new is pleasant, Peaches." The Mother cocks an eyebrow at her. "But just because it is unpleasant does not mean you should not face it. Tomorrow, it will be over and not seem nearly as bad as it does now."

"Yes, Mother." Peaches looks up into the Mother's dark eyes. They are soft and kind and stern. She sighs. The Mother loves her, but no arguing or begging ever changes her mind.

"Now come along, Peaches. Your sisters are waiting for you." The Mother takes her hand and leads her to the room where all the other girls are. The girls are giggling, hugging each other, and dancing about, and when they see Peaches, they throw their arms around her and laugh some more.

"Come and see." Her friend Maris takes her hand and pulls her across the room. "Lily has a gift for you." Now standing in front of Lily, Peaches studies the older girl's face. Lily is tall and willowy and graceful. Every girl at the temple wants to be just like her. To be that beautiful.

"Your sisters and I made you something special for your first dance," she says, holding something behind her back. "So close your eyes and turn around." Peaches turns around and closes her eyes, a smile stretching across her face. She can feel hands place a circle about the crown of her head.

"All right," says Lily. "You can look now." Peaches reaches up to feel the ring of silky flowers on her head.

"We used purple flowers for your hair," Maris says. "It'll look better on your white hair, and all the boys will think you are the most beautiful angel they have ever seen." Peaches feels the heat in her cheeks again and looks down at her sandaled feet in embarrassment. There are gold rings on her toes with little bells. So different from the little dirty toes she had when she first came here.

Maris snatches her friend's hand again and pulls her toward the fountain. "Come on," she says. "See what you look like."

In the fountain, Peaches sees her reflection. Startling blue eyes stare back at her, and the long, white-blond hair falls forward as she leans toward the pool. It tickles her nose, and she pushes it back behind her ear, almost making the crown fall into the water. She laughs. "I'm a princess pirate on the raging seas," she says, jumping onto the pool's edge and brandishing an invisible sword.

"You will be a wet princess with no beautiful dress for the dance if you do not get down, little lady," the Mother says from behind her.

Peaches jumps down and chews her lip in embarrassment. "I'm sorry, Mother. I was just—"

"Playing. Yes, I know." The Mother sighs. "You are always playing. But now it is time to find your place in line. The town is waiting for the priestesses to begin the ceremony."

Peaches hurries to find her place in line. The order is oldest to youngest. Although she is the last girl to have her first blood moon, she's not the last in line. Unlike the other girls, her first bleed came late. The nurse says it is because she is so small and frail. "But it is not a concern," the old woman had said in her cracked voice. "You grow stronger every day, and your woman's cycle will come when you are ready."

At seventeen, Lily—the oldest, unmarried girl, other than the Mother—stands at the front of the line. Peaches hopes she will be given a name as beautiful as a flower, like Lily. Maybe Rose or Heather. Ah, she is a wildflower, growing in a field, raising its head to the sun on the side of a mountain.

The wind plays in her hair and whispers to her. That's not your name. You are not a flower.

She sighs. But I'd like to be a flower. Elias, if you love me, give me a flower name. Please.

Lily steps through the gate, and the crowd cheers. The wind blows about the girls, whipping hair and dresses in tumultuous glee. A tingle of excitement flushes through Peaches. Even the trees are singing on this day. The line steps forward in time to the beat of the music out in the town square. She hears flutes and drums. And the pipes made from bags, her favorite.

Her feet move to the beat just as she had practiced. Watching the older girls, she finds her rhythm and sets her movements with theirs. She glances at the crowd. Will they laugh at her? What if she stumbles? Hundreds of eyes, watching. Some people are clapping. Some are laughing. Her heart jumps into her throat.

She's supposed to turn left, into the circle. Instead, she turns right. A cheer rises from the crowd, jeering at her. Her heart jumps into her throat. Turning back to the center of the ring of girls, she wishes the earth would open up and eat her. Swallow her. Hide her.

Her friend Maris squeezes her hand and smiles at her. "'Don'tcha be a-paying attention to the crowd. Just ye have fun,'" she quotes Mistress Howl. "Remember?"

Just have fun. Peaches nods and smiles. She takes a deep breath and then lets it out quickly. She looks around at her friends, their faces full of smiles and laughter. These are her sisters. These are the people who protect her and love her. With them beside her, she will never be alone.

She throws her head back and laughs. The wind in her hair. The music calls to her. Sings to her. Come and play. Dance with me. Together they twirl and dance and beat their feet to the rhythm and come in and out and duck through arms and then twirl about again. Joy spreads up her belly and into her chest and erupts from her mouth in a wild cry. Like fire bursting forth.

The crowd fades away as the world whirls about in dancing colors. A forest surrounds her. She is a wood nymph, dancing to the song of the wind. Cherry blossoms shower upon them with blessings from the gods, and the song of the river entices them to wild abandon.

With one final whirlwind, Lily brings the girls to a halt. The crowd cheers. The girls curtsy.

Her heart beats wildly in her chest, and her breath comes in short gasps. She brushes her hair back from her face and tucks it behind her ears. Her crown of purple flowers is lopsided—she can feel it about to fall off—but she grins at the townspeople, unconcerned about how silly she must look.

Families separate from the crowd to embrace daughters that they've given to the goddess. Peaches stands alone, watching all the other girls being greeted with warm hugs and kisses. She smiles at them wistfully. Being happy for her sisters isn't enough to erase the hollow emptiness in her heart.

"Ah, there ye be," a warm, familiar voice says behind her. She turns to see Mistress Howl, beaming at her. Her face is more wrinkled now, and her hair has more white than brown. But it is still that same pleasant face, and those eyes still sparkle with joy and laughter.

"Mum!" she cries and throws her arms about the woman's neck. Arms surround her, comforting her like a warm blanket.

"My word, you have grown, Peaches."

"But you saw me just yesterday!"

"Aye, but that is often what is said on such occasions. I wouldn't want ye be a-missing anything now."

"Oh, Mum, all I need is your hugs to be happy."

"And perhaps some biscuits and honey?" Mum asks. "I'll be a-waiting ye in the kitchen for yer midnight snack."

Peaches laughs. "Yes, and biscuits and honey."

The Mother claps her hands to call the girls back together. "Ladies, back in line. It is time to visit the temple of Elias."

Peaches quickly hugs Mum and then follows the other girls back toward the Mother. A tap on her shoulder interrupts her, and she turns to say good-bye to Mum one last time. But instead, a shriveled old woman, her eyes white with blindness, stands behind her.

An icy prickle runs across her shoulders and down her back. The world seems to stop. Everything falls away from around her. The voices of the crowd hush. The people stop milling about. Time stands still.

In a crackly voice, the woman says to her, "Daughter of the goddess, you have been called as an oracle to Elias, god of the heavens and of the earth. To you has been given the gift of visions. You are the one who walks in dreams by day. Do not be frightened. But you must tell others what you see."

"Yes, I will," she answers.

"Are you coming, Peaches?" the Mother calls to her. She glances at the Mother and then back at the woman. But the woman is gone. Everyone is line, waiting for her. The crowd has begun dancing. Some people stand by the side, eating and drinking. No one is watching her. No one is paying any attention, as though nothing has happened.

That icy prickle moves down her back again and sits heavily in her stomach like a bag of rocks. "Yes, Mother," she says. She hurries into line, her hands shaking, and then follows the girls in front of her. One foot in front of the other. Nothing feels real. As though she was in a dream.

They file back into the temple and enter the throne room. Peaches puts her face to the floor just like all the other girls. She has never been allowed here before. Priests only, the Mother had scolded her when she tried to peek in. She was little then. Now she knows that this is a sacred place. The place where the god Elias resides. Where the goddess Araphia worships.

"Let the young priestesses step forward to receive their new names," the priest says. His voice is stern and harsh and echoes through the marble room.

She stands, her head bowed, and steps forward with the younger girls. Through her lashes, she peeks about. The room is large with a grand marble throne sitting in the middle. Upon that throne sits a figure. Bright like the noonday sun. She could see his feet but didn't dare look any higher. What happens to someone who looks at the face of a god? She would melt for sure. Or burst into flame and then her ashes would blow to the far reaches of the world. Her sisters would mourn her. "Here lies one who dared to look upon the face of Elias," they would cry.

Oh, that wouldn't work. If she is nothing but ashes, they couldn't say, "Here lies…"

Just the feet were awesome to behold. They glowed like fiery embers, and she could not take her eyes from them. The words from her early days, learning at the temple, come back to her.

Mount Andalynoran is his throne.

Demaria his footstool.

The dragons bend in homage.

May we learn to do the same.

It was just words then. Now it rings so true. No jewel would be lovely enough to grace his foot. To touch it would be magic.

The priest steps in front of her, blocking her view. "Keep your eyes down, child. It is not proper for one as lowly as you to look at the throne of Elias."

"Yes, sir."

She turns her face down as instructed, but once he passed her by, she looks up again. There is nothing she could do to stop herself. Maris pulls on her sleeve and hisses in her ear, "Stop it. You'll get in trouble. It's just an empty chair."

Empty? Couldn't she see the man who sat there? He is so large that his foot is as tall as Peaches. How could Maris miss that?

"Make your prayers to Elias," the priest commands. "When he is ready to give you your name, I will call you forward."

Peaches puts her head down to the ground. What do I say to one with a foot like yours? All the jewels upon the earth could not be as beautiful. She is just a humble girl. What does she have to say to the god who created heaven and earth? He created the goddess. He created her.

"Say that you want to see my face."

Oh, anything but that. To see his face would mean her death. Could she withstand it?

"I will show you my face. I want you to know me."

No. Please don't ask that of me.

"Little Peaches, I was there when you were born. I was the wind that whispered in your ear. I was the trees that sang you to sleep. I was the water that played with you. I was the one who loved you when no one else would. I was the one who brought you to this place of peace. Please come to me. Come to see my face."

You love me? Me? Even me?

"Even you. My daughter. See, I give you a new name. Your name is Nephecia. You are my soul. You are born of my breath. My life. My heart."

"I—I want to see your face," Nephecia answers out loud. She rises from the floor, trembling.

Maris grabs the hem of her dress. "They haven't called you yet, Peaches," Maris whispers. But Nephecia doesn't answer. She must go to the one who has called her. If she doesn't, her heart will break. For then she will disappoint him, and then she will whither and die.

She steps forward. The priest gasps and rushes to stop her. But she is already there, at those feet. "I am here. Please take me into your hand." He reaches down and lifts her up. He sets her on his lap. He is smaller now. She is like a baby in his hands.

His eyes are fierce and wild. Like the wind on a stormy day. She can feel lightning and thunder rumble through him. And yet they twinkle merrily, like the laughter of the brook when the sun glints on the water's surface. His cheeks are rosy, and his smile made her know she is safe. She is always safe.

A beard as white as snow fell down his chest. Not like the soft, downy snow of Father Winter, but rather like an avalanche bursting upon you in the mountains, swallowing you in its fervor. It wasn't the beard of a sweet old man. It was the mane of a lion, strong and ready to pounce.

"Can I—can I touch your beard?"

"Yes, child."

Nephecia reaches her hand forward, hesitantly. She stops and then starts again. Finally, her fingers slip into the hair. Tingles of magic run up her arm in delightful pangs of pleasure. She buries her face in it. She feels the magic flow over her like water splashing across her face and running down her hair.

"Can I stay here with you? I never want to leave."


Part 5 of the Daughter of the Goddess series is coming soon.

Daughter of the Goddess, Part III - Priestess

This short story is part 3 of the Daughter of the Goddess series. You can read part 1 here.


“Peaches, I’m yer mum now,” the woman says.

The little girl looks up. The idea frightens her. If this woman is her mum, will she be mean now? Mums are always mean. They have to be so that they can teach their little girls to be good. It is important to be good.

The woman puts her arms around Peaches and lifts her chin. “As yer mum, I’ll be a-taking you to the priestess. It’ll be my right to give you to the goddess if you be my daughter.”

Peaches’s hands shake. The woman doesn’t want her. The woman won’t keep her. “Please no,” she whispers.

“You won’t be a slave, little love,” the woman keeps talking. “And you will live here. They will be edjicating you, and ye can visit me everyday.”

Everyday. Peaches feels her heart jump and turn inside. She’s not quite sure how her heart could move like that, but it’s a nice feeling. Everyday, she can come to the woman, sit upon her lap, and eat biscuits and honey. “Everyday?” Her voice comes out as more of a squeak than a whisper. She bites her lip and looks back down at her toes. She shouldn’t make so much noise. The woman might change her mind.

“Yes, m’love. Everyday.”

Everyday. Peaches hugs her. She isn’t quite sure where her arms are supposed to go—she’s never hugged someone and no one’s hugged her—so it’s more of a wild flinging of arms. And then, frightened, she pulls away and looks up at the woman. Did she go too far? Will the woman be angry? But no, her face is soft and friendly, and all those little creases on her face seem like laughter.

The woman stands and takes Peaches hand in her own, and out the door they go. Peaches ducks behind the woman’s skirt, to hide, but the woman gently pulls her out and leads her. It feels so safe, her little hand in the big one. It’s warm and inviting and comforting. She’d like it to last forever.

Peaches wants to stay in the kitchen with the woman. She doesn’t want to go to the priestess. But she’ll trust. She’ll trust this hand to lead her. The people in the square—she can’t see their faces, just their legs—press in around her, but that hand never lets go. Up the stairs, it takes her and through the golden doors that stand open.

Then she goes all the way up to the where the priestess stands. Peaches looks up at her, the long robes and the stern face. That face looks as though it will bite her if her whisper gets too loud or she eats too much or shows just how useless she is. Looking back down at her feet, she remembers that she wants to be a good girl. She shouldn’t have looked the priestess in the face. The girl’s hands shake and shake, and even as she balls them into fists, she can’t make them stop. Please, oh please, don’t hurt me.

The woman beside her kneels down and tugs on Peaches hand to do the same. She stumbles to the ground quickly, wishing the ground would open up and eat her. The earth would be warm and soft and safe. She could curl up and sleep, and nobody would ever touch her again.

“Rise, children of the goddess.”

Peaches feels the woman standing beside her, but Peaches can’t move. Not listening to the priestess would surely get her a beating on her back or her head. The lashes on her neck were still sore. But try as she might, her legs weren’t a-listening to her. They were too heavy like the big wooden chair at home that she had to move to scrub the floor underneath. It would never budge, no matter how hard she pushed. She’d always had to ask for help. Useless, they’d tell her and hit her.

She doesn’t want to be useless. She wants the priestess to want her, to think she’s worth keeping. She squeezes her eyes shut and pleads with the goddess. Don’t hurt me. I will be useful.

Hands touch her gently. It must be the woman. She hears her voice, a-talking to the priestess. Someone lifts her up, and she finds herself looking into the face of the priestess.

“Oh,” she cries and scrambles away. It was only just a little more than a whisper. And she regrets making so much noise. The priestess will think she is a bad girl. What do they do to bad girls? Will they hurt her? Throw her out? Please don’t hurt me.

“Child, I will not hurt you,” the priestess whispers. The priestess must be a good girl. She whispers. And her voice is so soft. Peaches would like to sound soft and whisper like that. Then maybe no one would hurt her. Then maybe they’ll like her. She shuts her eyes. Please make me good. I will be useful. I promise.

She feels hands a-lifting her and a-carrying her, but she keeps her eyes shut and prays harder. She prays so hard that her lips move, but no sound comes out. I’ll be good. I’ll be useful. I promise.

The shock of a cold wet floor under her body forces her eyes open in surprise. She’s surrounded by priestesses. Staring at her. She wants to run and hide, but there is no gap between the women. She tries to push her way through, but to no affect.

They pull at her patchwork dress, and she cries out. The tears in her eyes are so thick, she can barely see. She pushes, scratches, runs, kicks. Screams. She has never screamed before, but she does now, desperate to get away from them. No! Don’t touch me. Don’t hurt me.

A patch of cloth is thrown onto the cold, stone floor. But there, the patches writhe like squirmy leeches with tiny arms and legs, their bodies fat and their mouths squealing. Someone steps on it. It screams as its body explodes from the pressure. Brown blood and red.

Peaches stops.

She just stares.

She isn’t screaming anymore.

More patches are pulled from her. More bodies lay upon the floor. A foul odor clutches at her like a hand clenched at her throat. She gags, wretching bile and phlegm. Worms wriggle in her vomit.

Naked and spent, she slumps onto the stone and shuts her eyes. Something feels different, she realizes. Her stooped back is straight. The bones don’t ache. Her stomach doesn’t churn. She sighs and smiles. Now she will sleep, Peaches decides.

But hands push and pull her, making her stand. Peaches stumbles, but they hold her up and drag her until she plunges into a vat of warm liquid. It’s not water. It’s so smooth on her skin. Oil. The hands push her under. She flaps her arms, trying to break free, but the more she struggles, the deeper she slips under the surface.

Her lungs burn and she fights to get free. To get a breath. A single breath. She opens her mouth to scream and breathes the oil into her lungs. It burns her tongue, her throat, her lungs. It flows through her, melting her body with its heat. She opens her eyes and the oil stings them.

She no longer wants to breathe, and the water is dark as she slips into the recesses of the pool. There is a light in the distance. She lifts her hand toward it. Her farewell gesture. I would’ve been useful. I would’ve tried.

The light comes closer. A woman, in the midst of the light, her long hair floating in the water around her, reaches for her. Peaches reaches her hand out in return. It doesn’t matter if she dies. Or if the woman leaves her in the pool of oil. What matters is that she touches her finger.

That light. The light will heal. The light will make all the pain go far away. It will warm her and comfort her. She must touch it

As their fingers meet, Peaches feels the light moving into her, spreading slowly up her arm. She smiles. The woman smiles back. Stretching out her arms, she embraces Peaches and brings her to the surface. More hands lift her out and cover her in a soft robe.

Her hands seem to glow, and her toes are clean. I’m clean. No one had ever bothered to bathe Peaches before. Now it felt as though she mattered. She looks around for the woman in the pool, but only priestesses are here now. She studies her clean hands, how they glow, how soft they are, how clean. It was like that woman, that light, was inside her, glowing through her skin.

“What’s your name, Child?” It’s not a whisper. But then it’s the tone that matters. The voice is gentle and kind. Not quiet and good. But Peaches doesn’t want to be quiet and good anymore.

She lifts her chin. “My name is Peaches,” she says aloud and looks the priestess in the face. Peaches smiles.

“Welcome, Peaches, priestess of Araphia.”


You can read Part 4 here.

Daughter of the Goddess, Part II - Peaches

This short story is part 2 of the Daughter of the Goddess Series. You can read part 1 here.


“Now, now, little tot, don’tcha be a-crying now. You trust Mistress Howl. I’ll be a-fixing this.” Warm hands lead her inside and guide her to the wooden table. Patches peeks about at the room—it’s safe to do so, for the woman has moved on to the other side of the kitchen. A few people are mixing and a-baking, but when they look at her, she casts her eyes down. She wants them to know she’ll be a good girl. So they won’t throw her out. Mum always said that when she goes to the goddess, she’d better be useful or they won’t want her.

“Do you like butter and honey with your biscuits, lovey?” The voice is so gentle. Like the trees. It makes her think of a soft breeze, blowing through her hair, drying her tears, cooling the sting of a slap on her face.

Patches doesn’t know what to say. She was never allowed to ask for anything. She was given her gruel and expected to eat it. If the bread was stale and the apples turned to mush, they were tossed her way. “I’m not hungry,” she whispers.

Two arms pick her up, set her on a lap, and hold her close. “Now don’t you be a-lying to me, angel. Nothing but a bag of bones, you are. So let Mistress Howl feed you something yummy.” Patches can barely see the hand offering the biscuit through the tears in her eyes. “Here is a bite, little bird. You don’t have to take it. Just open your mouth.” The hands move across her face and hair, pushing the hair out of her face and wiping away the tears. A piece of biscuit, warm and soft with something sweet, is put in her mouth by that gentle hand.

“What’s yer name, love?”

Patches shakes her head.

“What do they call you?”

She leans her head close and whispers. “Once a man—” She blushes. She was never allowed to speak of Mum’s visitors. She wasn’t even supposed to be seen by them. She’d gotten whipped real bad for that. “—called me Patches.”

“No name?”

Patches looks down at her dirty, little feet and shakes her head. “It’s unlucky to name someone who’s gonna die,” she whispers. It’s the most she’s ever said. She glances up at the woman to see if she’s in trouble. All those little creases and furrows are standing out on her brow. Patches quickly looks back down at her feet. If she’s a-frowning, does that mean she’s gonna hit her?

The hand gently strokes her hair, pushing it behind her hair. “Let me tell you something, little peaches. We’re all gonna die someday,” she says. The hand moves to her chin and lifts her face. “And lucky it is that I get to name such a pretty little girl like you.” The woman smiles. “My, such blue eyes. Clear as a summer day.”

Looking the woman in the face, Patches swallows the lump in her throat. Her little hands shake, and she tries to pull away. But those hands hold her firmly. “Peaches.” The woman nods. “Yes, you are as sweet as a little peach pie.”

Peaches? Her name is Peaches? She doesn’t really know what a peach is, but she likes the way it sounds when the woman says it. It kinda rolls off her mouth like the something sweet. Like the honey biscuit she just ate. She glances down at the woman’s hand, which are now empty. Peaches’ stomach growls. “Are you still hungry, Peaches? Carly, another biscuit please, and don’t ye be shy with the butter. This’un needs some fat on her bones.”

Peaches forgets to watch her feet as she looks about the kitchen. The cooks bustle about. Some singing. Some whistling. And everyone smiling. At her. And their eyes sparkle. Like sunlight glinting on the stream. They seem to promise her joy, just as her childhood friend had sang to her. She smiles back. It is just a little tug on the corners of her mouth. And then she ducks her head into the crook of the woman’s arm.

“There, there, Peaches. Just a wave of shyness, have ye?” The hand strokes the back of her head. It makes Peaches feel safe. That little smile is growing inside her. She can feel it. It’s as soft and warm, just as the woman is. It makes her want to cry. Soft tears. Gentle ones. The kind she had when the trees sang her to sleep.

“Here ye go, mistress.”

Peaches hears the sound of a plate being set on the table. She peeks over the woman’s shoulder. Never before had she seen a plate so full—at least, not one set for her. The butter was melting into the biscuits, and honey swirled across the top. And those strong, comforting arms lift her up and set her on the bench. “Don’tcha be shy now. It’s all for you.”

Peaches picks up one of the biscuits, so soft it crumbles in her hand. She puts the piece in her mouth and looks up at the woman with a smile. A full smile, one that shows all her little teeth. And a tear trickles down her face. The woman smiles and wipes the tear away.

“How old are ye, lovey?”

“Five harvests.” That’s what she remembers Mum saying. When she was five harvests, she’d go to the goddess. So that must be how old she is.

“My, my, you’re that old? But so tiny.”

Peaches is confused. Was that a question? Is she supposed to say something? If so, what does the woman want her to say? She glances up. The brow is smooth now. But tears—lots of them—fall down her face. They drip down her chin and onto the woman’s lap. She wants to ask why the woman is a-crying, but that’d be asking fer trouble. She looks down at her dirty little feet and remembers that gentle hand wiping away her own tears.

She, her little hands a-shaking, reaches over to wipe the tears. But stops. She feels frozen, stiff as a tree. Her little heart beats like a wild drum. And her stomach clenches into awful knots. “Can I wipe your tears?” she whispers.

The woman nods. And Peaches reaches up, wiping the woman’s face, and says, “There. It’ll be just fine. You’ll see.”

You can read part 3 here.

Daughter of the Goddess, Part I - Patches

This short story is part 1 of the Daughter of the Goddess series.


Patches clutches her worn blanket, folded around some stale bread and a few rotten apples, with both of her small hands. It’s all she has—save for the rags she wears. If she drops it...

She mustn’t. She must be good. Good girls are quiet and useful. She promises herself that she will be.

“Stop dragging yer feet like a dainty princess.” Mum grabs her hand and drags her down the path. “You ain’t some prissy little thing to walk along with ginger feet. The day’s a-wasting, and I mean to be home by night-come.” She tugs Patches’ arm so that it hurts, but Patches keeps her mouth shut. Good girls are quiet. “Right happy, I’ll be to have my hands free of ye.”


“Yes, Mum,” she whispers. She shouldn’t speak louder than a whisper. Good little girls don’t shout. Patches takes two or three steps for each of her mum’s, and still her short little legs can’t keep up. A farmer’s cart splashes mud. The rocks under her naked feet stab her. People stare at the little girl wearing rags. But Patches doesn’t bother with any of that. She’s as likely to be dirtier than that farmer’s pig, and rocks are nothing compared to mum.

And looking at people would only annoy her mum. She’s not supposed to be noticed. She moves behind her mother and hangs her head and watches her mum’s feet with their soft padded shoes drum a quick beat.

“Useless as a bug,” the mother continues. “Why, fer the life of me, I ever made that bargain to save yer life is beyond me. Nothing but a waste of space, you are. But a bargain with a goddess is for keeping. And you’s old enough.”

Patches listens. Quietly. She hates being useless. But try as she might, she’s never done nothing worth a lick of good. “I’m sorry, Mum.”

“As you should be,” Mum says. “Sorry I’s ever had you. That be certain.”

Mum pauses at the top of the rise, and Patches walks right in to her. “Don’t you be bumpin’ me, you whiny brat. I brotcha into this world. I can take ye out.” She grabs Patches arm and pulls her to her side. “And the world be a-thanking me too.”

The rise in the road overlooks more houses than Patches has ever seen put together in one place. So tall. As tall as trees. And all those people a-milling about like so many tiny ants marching about their nest. She wants to go home. Grammum wouldn’t be happy to see her—Grammum never wanted a useless girl like her—but it’d be safer. And when no one wants her, she could hide in a tree. The trees are always kind. They whisper sweet words. She falls asleep there, after her beating, listening.

“Dontcha be crying.” Mum tugs her arm angrily and slaps her face. “Ye should be thanking the goddess for sparing yer life and letting you be her slave.” Patches bites her lip and looks down at the stone road at her feet. She must be thankful.

“Yes, Mum.”

“And dontcha be calling me that no more. I’m done with you.”

Patches nods her head, not knowing what to say. For “Yes, Mum” is all she ever says. Anything more is a-wanting a belt across her back. So Patches just keeps her mouth shut and follows. Down the hill. Through a gate. Into the crowded streets. So many people. Pushing. Shoving. The tears stream down her face. She can’t stop crying. She should be thankful. Good girls are thankful.

They stop in a big open place, and in the center, there is a tub where water jumps high into the sky and splashes back down. Patches peeks at it through her lashes. It would be fun to dance in the water. If no one were a-looking. She thinks of her stream at home with its bubbling chortle. It sings to her that it will give her joy. And it always kept its promise.

“They’re not a-wanting a slave at their front door.” Mum takes her hand and marches her away from the jumping water, around the corner, down a narrow street, to a small wooden door. She raps, and round face with rosy cheeks peers out.

“I’m a-sorry, my lady,” she says. “But we’re not buying nothing now. Come again tomorrow.”

Patches feels harsh hands push her forward. “I made a promise, and here she is. The goddess can have her.”

The brow of that round face bunches up in a dozen pretty little folds. Patches likes those creases and folds and the thoughtful eyes that go with them. She forgets that she’s not supposed to stare. It draws attention. And good girls don’t draw attention. Her mum’s hand pushes her head back down, and her hands shake, knowing the beating that’s coming.

“I’m not understanding, my lady. These are the kitchens. If you give your daughter to the goddess, you must present her to the priestess in the sanctuary.”

“She’s not worth such an honor. She’s to be a slave for the goddess.”

Staring down at the woman’s feet, Patches listens to her mum’s feet echoing down the empty street. She’s alone. A slave. Unwanted. Unworthy.

Alone.


You can read part 2 here.